Dusk explores metamorphosis as a delicate process of transformation between life and death. Set within a space of uncertainty and obscured visibility, the work reflects on how change often unfolds gradually, sensed before it is fully seen or understood.

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Moths, both living and dead, function as symbols and material, reflecting cycles of change marked by decay, disorientation, and quiet collapse. At the centre of the installation, a dress acts as the trace of a human body, suggesting absence, shedding, or transition. From beneath it, roots spread through the space with a force that feels both generative and invasive, revealing transformation not as simple renewal, but as something that overtakes and consumes.

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Suspended hybrid pupae merge human and insect forms into uncanny bodies caught in states of becoming. Blurring distinctions between species, human and nature, beauty and decay, the installation inhabits a threshold where identity remains unresolved.

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Dusk proposes transformation as an ongoing condition: a metamorphosis that occurs in obscurity, in spaces we cannot fully see, yet can still sense unfolding around us.